Hello, Toto

   I recently became intrigued by the one-time model/actress/socialite Catherina "Toto" Koopman, whilst perusing a biography of the industrious newspaper tycoon Lord Beaverbrook. This was a woman who was a visible biracial beauty in a time where it was decidedly not fashionable to be so; moreover, this elegant half-Dutch, half-Chinese luminary led quite the intriguing life, from her upbringing in Java to her education in Holland and England; from her work for Chanel to her poise and poses in photography shoots by Edward J. Steichen and Hoyningen Huene 

   More interestingly, she was involved with both Lord Beaverbrook in 1933 or '34 and later, his son, Max Aitken, from 1935 to 1939. Lord Beaverbrook was incensed and troubled by Max's involvement - apparently due to sexual jealousy and distaste at the idea of a Javanese daughter-in-law - to the point that he gave them sums of money and a flat in Portland Square off Oxford Street to remain unmarried, whilst perennially desiring to break them up. She was also pursued by Viscount Castlerosse, incensing his wife to the point of threatening to have Koopman named in their long-mooted divorce case

   Matters become more interesting and opaque still regarding her wartime activities. Koopman is thought to have performed as a go-between for British intelligence in Italy, until she was double-crossed, compromised and interred at Ravensbrück concentration camp for two years, during which time she performed heroically, whether by trying to save those marked for death or smuggling food to her maltreated fellow inmates. Even after such a harrowing time, she continued enriching those around her by running the Hanover Gallery with her lover and fellow war heroine, Erica Brausen. Amongst the careers they guided was that of one Francis Bacon

   Not entirely lost to history, Koopman is recognised as one of the early lights of the modelling world, as well as an arbiter and a saver of lives, with an enviable fortitude to handle anything that was thrown at her. We should all have girlfriends this tough

It really was another world. One dressed not to please men but to astound other women

Dead Seal Bows (Furry Curio Object No.1)

   The curios are truly coming out of the woodwork today. This vintage genuine sealskin bow tie, made in St. John's, Newfoundland by E. Melendy Ltd, recently sold on eBay for a paltry $21.50 (shipping not included)

   And no, I was not the buyer. But whether one is outraged by the barbarity or attracted by the lustre - a matching evening overcoat is the image that springs to mind - this, as well as being barbaric and lustrous, is undeniably exemplary of true luxury: the power to be offered or to commission whatever one wants and then proceed to get away with it in a certain style

   Alright, it's a little seductive. There are only so many stones a carnivore can throw

Mobutu Le Fondateur

   If you asked me now, I could not tell you where I found this

   Of course, I've written all that I need to on Mobutu Sese Seko, so I'm actually more interested in acquiring the name of the tailor who created the shirt - I really like that rounded collar. Lovely colours, also - such a great print, even given the connotations it carries

The Beta Band - 'To You Alone' (2000)

  I intend to review the albums of this dearly departed outfit in due course - say, between today and 2013. This non-album double-A single was released between their whimsical and psychedelic genre-bending debut, which I love and which The Beta Band themselves very publicly slated, and their somewhat Gregorian, moody folk/r'n'b-mating follow-up, as ably seeded in this moving, pulsing song

   It's music for evening people

Leather Lust Object No.7 - Lobb Return

Plain toe double monkstraps by John Lobb, via Details

   There's something rather modish about an unembellished monkstrap shoe, which traditionally incorporates a cap toe and, occasionally, broguing details. Perhaps John Lobb is on (to) something - these may in fact be the most perfect monks for skinny denim and an overdyed Oxford shirt seen yet

Richard Lester - Boutique London

   

   Recently, I had the pleasure of finally reading this well researched tome and would recommend it to all Paraders with an ounce of interest in the period and the book's unique yet obvious premise of grounding the 1960s and '70s clothing experience where it truly took flight - in its shops

  Without scans, it's difficult to review this meaningfully - hence the quoted copy below - but it is a very worthy compendium of photographs and Malcolm English artwork that is only intermittently available from other immediate sources (like something called "The interweb," apparently) and, without directly stating it, places much of the emphasis on the now undervalued concept of shopkeepers designing their own desirable products; to do this in a time when practically anything was permissible, desirable and born from one of the boldest cultural intersections in living memory would always ensure these luminaries' places in stylish and entrepreneurial history

   For the record, my favourite portraits naturally feature, or relate to, Hung on You's Michael Rainey and Christopher Gibbs, The Beatles' Apple Boutique, Michael Fish, Blades of Savile Row and Tommy Nutter, as well as the beauties that modelled for BIBA and Annacat. I'll be forever glad, also, that there was ample room for Vivienne Westwood and the late Malcolm McLaren's concern, Sex 

   It is affordable, unfussy to the point of sparseness in its writing and is fundamentally a well presented snapshot of a diversely presentable time. More helpfully, it compiles all the names of all those faces that made this scene one that hasn't lost its large footing in the cultural consciousness into one neatly packaged book. Groovy, Lester

To any style conscious Londoner in the sixties just two places mattered: the King's Road and Carnaby Street. By the end of the decade the whole world came to see and be seen, to take part in the theatre that played out of the new boutiques and onto the street. From the sleek modernist tailoring of 'Top Gear' and 'His Clothes' to the nostalgic dressing up box style of the World's End boutiques, at the heart of it all were the young designers whose conviction to make and sell clothes on their own terms generated an explosion of talent which lasted and evolved over twenty years, leaving an indelible mark in fashion history. 'Boutique London' follows the journey of the first risk-takers like Mary Quant and John Stephen, to the celebrity salons of Ossie Clark, 'Mr Fish' and 'Granny Takes a Trip', stopping along the way to include the weird and the wonderful, the glamorous and the bizarre. With in-depth profiles of over thirty retailers and lavish illustrations, the clothes, interiors and characters of 'Boutique London' are as diverse as they are colourful, vividly bringing to life a vanished London, which changed the way we shop forever.

Lou Reed - 'Sad Song' (1973)

I'm gonna stop wastin' my time
Somebody else would have broken both of her arms

   Sadness for the weekend? Perhaps this inappropriate, ever moving threnody is on my mind due to the tsunami tragedy of Japan that has occupied hearts and columns of late. Elizabeth Avedon is currently promoting a charitable auction of photographic works for the cause. Mayhap others will follow

  Funny what other interrelated trivia comes to mind - 'Sad Song' was sampled by the plagiaristic yet innovative Japanese under-to-overground pop stars Flipper's Guitar (the training ground for my favourite recording artist, Cornelius) as part of their psychedelic song cycle, 'The World Tower,' produced by Salon Music's Zin Yoshida

   Spent energy, bitterness, ruing, catharsis; bitter pills don't come much sweeter than this

Anticipating

   Whilst the font is on the uninspiring side and the CGI glow that adorns our tweed-clad hero is rather unappealing - even if it is in reference to his alien nature and upcoming Roswell adventure - this is reasonably effective in drawing attention to the imminence of Doctor Who's sixth season

   My semi-regular readers probably dreaded some sort of recap of last year's successes, since they are really here to see some dork with a baby Afro attempt to to adorn himself in style and present himself as "witty" to the 39 people foolhardy enough to follow him. And of course, there are dedicated Who blogs and columns; no one really requires an analysis of the show written in the most grandiloquent style possible

   So, here is all that needs to be known - it is the wittiest, frothiest and gosh darn best adventure series going, starring a Brummie with a long nose, the prettiest willowy redhead this side of Lily Cole and a very talented fellow with a funny face who may have finally upgraded to self tying bow ties and can hold his own in performance with the likes of Michael Gambon. And to top it off, they will be promoting the almighty Stetson:

   April 23rd cannot come soon enough

Ribaldry: Boutonnière Tales

Via Motherloom

   On rare occasion, when I'm not deleting spam, "private videos" and entreaties to promote pricey trainers (Mode Parade is not that kind of "fashion blog"), I unearth the odd kind word and genuine gem in the column's e-mail. This comes from a first time caller and long time reader (hopefully?), who has already developed a notable camaraderie with the rest of the online menswear fellowship through Boxing The Compass, a witty and comprehensive take on the vicissitudes and vices of dressing well

   This is his unedited e-mail sent in response to my most recent ensemble post. If you are sensitive to the amorous adventures of real life Uncle Oswalds, please avert your eyes:

Sir,

My comment is a bit too long for the comment section of your post, and perhaps unsuitable.  Here it is:

My great-uncle ALWAYS wore a boutonnière. He visited us at our place on Cape Cod for a month every summer to sail, golf, etc.  One time he appeared home in the same handsome clothing from the evening before... I was having breakfast(!).  The flower was gone from his seersucker lapel, and I asked about it.  He told me that "a man should never wilt before his flower does", meaning that one should stay out until the boutonniere wilts. 

Grandmother was in the dining room as well (great-uncle Maxwell was her brother).  I asked Uncle Max (in his seventies at the time) if he had thrown away his wilted flower, and he said to a nine-year-old me: "I left it on her pillow."

Grandmother spun around, inadvertently sloshing the coffee from her cup "MAX!!"

I think I was in college when I first emulated the flower/pillow gesture, and ONLY then did I realize what Uncle Max had meant.  Brilliant old fellow!

I love your blog.

-Yankee Whisky Papa

yankee-whisky-papa.blogspot.com

   For the record, I was seven when I "met" Uncle Oswald, my parents being unaware of Roald Dahl's more indelicate side. Because of him, I will never contract leprosy