I'd planned to secure an interview for
Mode Parade with world class tailor
Edward Sexton before exiting London, but alas, this did not materialise in time. His cutting talents remain pleasingly
sans pareil in your author's eyes, as well as in those of the people that respect and patronise his creations
Below,
Finch's Quarterly Review style editor Tom Stubbs demonstrates the second stage fitting and the finished article of a bespoke Edward Sexton commission that is not flagrant enough to have him removed from Annabel's but immediate enough to elicit commentary and, I should hope, approbation. Personally, I think he should be pictured with it in a private study with gilded and gilt festooned 19th century French furniture, hand blown
Cartier crystal desk adornments and a bikini-clad model on each armrest: