I have had Tales of Beatrix Potter on my mind of late. Perhaps it's the delightful music that accompanies the fleet of feet in its performance. Perhaps it's the surreality of ballet, the kinetic interpretive expression of passion, composure and the vagaries of life, executed by professionals garbed in outsize 'human animal' costumes. Perhaps it's Oscars Night and I am musing over whether Black Swan's chances would increase had Natalie Portman danced in an outfit representing an anthropomorphic cygnus in a bonnet
If the talking animal genre has elements of parody in its whimsical little heart, then this might be its apogee: humans dressed as animals that behave as humans, yet lacking any discernibly natural behaviours beyond the motions of the dancers, wearing eyes that remain utterly unmoving and mouths that never part, making no sounds to complement their hybrid disposition. Like The Nutcracker, such a fever dream of the stage requires a child or a childlike mind to see such things as they should be; playthings brought to life and their absurdities then rendered through a slightly off-kilter (in its own right) yet resolutely elegant medium. It is also a testament to the varied methods for telling a well loved story
Besides, this sort of fun is the perfect gateway drug for ballet if one wishes to start them young. For this arrested developer, it's very much perfect
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