Whilst finishing off my next 2000s musical review - technically the first until real world events dictated otherwise - I noticed that a genre overview might be needed for those who lack my particular proclivities for musical geekery. So the following is extracted from said review, a classic from Japan's old alternative pop scene, Shibuya-Kei:
The now-dead - and resurrected - scene they contributed prolifically to, Shibuya-kei, deserves its own article or, better still, a link to a better overview and dissection than I could hope to manage, lack of rest or no. Suffice to say, it centred around an auspiciously fashionable and lively area of Tokyo - the titular Shibuya - and its harmonic proponents became known for recombinant, idiosyncratic, heavily detailed and often exuberant and kitschy forms of Western pop history. It was the 1990s incarnation of the DIY spirit of punk and golden age hip hop, yet almost everything had a whispy voiced Japanese femme on vocals and it all sounded like it was created on an unlimited budget, even when it wasn't
And those links are the preserve and insights of Japanese-but-actually-American alternative/blender pop artist, journalist and cultural disinterrer Marxy, as detailed in six parts. The Legacy of Shibuya-Kei is a vital and excellent read, examining and championing well over a decade of a landscape changed by reinterpreting and reshaping Western music into something familiar but utterly new. And sometimes far more interesting:
Give Marxy's songs a try. I'll be returning to his output in the near or distant future
Posts
No comments:
Post a Comment