The more outré the eyeframes, the more basal and sober the composition of the outfit. At least that's the working theory
Monday, 28 June 2010
Sunday, 27 June 2010
The Large Cut
Larger fellows can still be swathed in top flight tailoring, for if it does not do its job of flattering the shape and adorning the form with style, then why else indulge in it?
These men look particularly swank:
These men look particularly swank:
American actor Jackie Gleason presents in an impeccably imposing fashion
Burl Ives as Big Daddy in the 1958 film adaptation of Tennessee Williams' Tony-nominated stage play, Cat on a Hot Tin Roof
James Earl Jones as Big Daddy in the recent London run of the mainly-African American Cat on a Hot Tin Roof, on the precipe of being upstaged by co-star Sanaa Lathan and her tracts of land
A "corpulent cut" from Jusa, Regensburg, June 1963; care of Sator at The Cutter and Tailor
Supplied by Todd Hudson at The Cutter and Tailor; tenor Beniamino Gigli was once a tailor's apprentice at the age of 10
The winner of the coveted Dandy prize at a Tailor & Cutter exhibition, created by C.L. Ostling of Albemarle Street, London. The cloth is a navy blue white chalk stripe. Again supplied by Sator
Friday, 25 June 2010
Doctorin' The Penzance - Colin Baker Sings Gilbert and Sullivan
As special as this ditty is, I still wonder if there exists a disclaimer apologising to Messrs G & S somewhere. I may come to like this as much as the Animaniacs parody
No other words are necessary. Except for these:
I-iiiiiiiii--am the very model of a Gallifreyan Buccaneer.
I've information on all things a Gallifreyan holds most dear.
I've linked into the Matrix through its exitonic circuitry,
I understand dimensional and relative chronometry.
I'm very well acquainted too with matters of the Capitol,
I'll give you verse and chapter on Panopticonian protocol,
I've been into the Death Zone and I've played the Game of Rassilon--
(Rassilon? Assilon, Bassilon-- ah ha!)
With pestilential monsters that I got a lot of hassle from!
[With pestilential monsters that he got a lot of hassle from!
With pestilential monsters that he got a lot of hassle from!!
With pestilential monsters that he got a lot of hassle-assle from!!!]
I understand each language and I speak every vernacular.
I'll conjugate each verb obscure, decline each line irregular.
In short in every matter that a Gallifreyan holds most dear,
I am the very model of a Gallifreyan Buccaneer.
[In short in every matter that a Gallifreyan holds most dear,
he is the very model of a Gallifreyan Buccaneer!]
I've tackled shady Castellans with devious behavior.
I've sparred with Time Lord chancellors like Thalia, Goth or Flavia.
In fact on some occasions I've held office Presidentally,
'though maybe I won't mention I was ousted out eventually.
I know just how it feels to be a wanted man and on the run,
but wouldn't leave the carefree buccaneering life for anyone.
Though sometimes my adventures seem absurdly operatical--
(Operatical? Hatical... patical-- ah ha!)
With ups and down and twists and turns and incidents fanatical.
[With ups and down and twists and turns and incidents fanatical!
With ups and down and twists and turns and incidents fanatical!!
With ups and down and twists and turns and incidents fanatical!!!]
I've sailed the seven seas of Earth and all the oceans of the Moon,
my trusty true Type-40 is my Gallifreyan picaroon.
But is this really what the average Gallifreyan holds most dear?
I wonder what they think about this Gallifreyan Buccaneer.
[But is this really what the average Gallifreyan holds most dear!
We wonder what they think about this Gallifreyan Buccaneer!]
But....
I've defeated evil robots such as Daleks, Quarks, and Cybermen.
I've overthrown dictators from Tobias Vaughn to Mavic Chen.
I've rescued helpless maidens from the devestating Viking hordes.
Vanquished Autons.... Axons... Daemons... Krotons.... Monoids, Vampires, Voords.
I've liberated planets and delivered them from total war.
Saved Earth, Manussa, Dulkis, Skonnos, Earth, Tigella, Earth once more.
In short I know I am the truest Rassilonian legate
(Legate? Decate...Hecate...Hecate?? Mm. Not sure if that's canonical. Ah ha, I have it!)
And so to Time Lords all I say remember me to Gallifrey!
[A sentiment we all agree, remember him to Gallifrey!
A sentiment we all agree, remember him to Gallifrey!!
A sentiment we all agree, remember him to Galli-gallifrey!!]
I'm not content to just observe, I am a bold adventurer.
Though other Time Lords mock this Gallifreyan interventioner.
I know in every matter that a Time Lord really should hold dear
I am the very model of a Gallifreyan Buccaneer.
[We know in every matter that a Time Lord really should hold dear,
He is the very model of a Gallifreyan Buccaneer!]
Labels:
doctor who,
lulz,
music
Thursday, 24 June 2010
Meet The Swenkas
In South Africa, when the country was still in the grip of apartheid, men from the nation's rural areas often journeyed to the cities in search of work. Hoping to impress the families they left behind, the men would often buy stylish new suits for their visits back home, and practice looking slick for their friends and neighbors. Over time, this behavior evolved into a practice called "swenking," in which working-class South Africans would meet on a regular basis for competitions in which they would see who could put together the best-looking outfit, and who knew how to move best in it. Swenking is a hobby that still exists today in South Africa, and The Swenkas is a documentary which looks at both the past and present of this curious blend of fashion and sport, as filmmaker Jeppe Ronde explores the history of swenking as well as profiling the son of the leader of a group of swenkas who is contemplating joining in the place of his late father.
~ Mark Deming, All Movie Guide
At the shows, they’re judged for their outfits, their attention to detail, and the little moves they do to call notice to both. It’s real flourishy. The winner takes a cut of the door fee, which is generally a fraction of the cost of one suit. At Christmas in Durban, all the local swenking organizations get together for the finals and name the swenkiest guy in all South Africa.
Because most swenkas earn about $400 a month and a top-end tailored suit costs about $1,200, they buy clothes on layaway, spending like a year visiting a suit in the shop and making little homeopathic payments on it, dreaming about it at night. Basically, all that My Beautiful Laundrette, Horatio Alger stuff is in full effect, minus the gayness and the wealthy relatives on the one hand and America and rising up on the other.
It is about dreams, friends.
On special occasions such as Christmas, the best swenking is rewarded with a live goat or a cow on a leash
There's even a Sapeurs vs. Swenkas group on Facebook for those who cannot reconcile the idea of two separate groups of distinctly attired, sartorially-minded men of African descent
The Swenkas strike me as a more charismatic movement: their silhouettes and colours are more considered; their love of hats more harmonious; their fondness for the 1980s more personally resonant; their personae more enticingly ludic
And they dance. That's rather an important characteristic for those who dress with refined abandon
Wednesday, 23 June 2010
I'll Be Dressing Down
Like Beard before it, this is a hirsute example of my daily ensemble style in Accra:
The subdued approach as seen above, however, I'm more than comfortable with
Soon, Paraders, I aim to show off more of my print shirts; the most stylish garment category for the sweaty days of hot living
In the meantime, all are free to suggest wardrobe remedies. I'm sure the PR agents that alert me via e-mail to their clients' collections must have a few ideas on summer elegance
Existing in an environment such as this, with only around 4 months of climate variation over a year, places quite the personal scrutiny on my summerwear
This is the assessment and I'll be unprolix for once:
I'm lacking for a dependable cycle of dress and casual trousers for the duration. Were there any reliable and gifted trouser cutters in the city, this would be rather minor an issue. I can, at least, count on finding alterations tailors for my shirts, since I've dropped some weight and don't believe in the aesthetic benefits of draping a tent around my upper body
I'm lacking for a dependable cycle of dress and casual trousers for the duration. Were there any reliable and gifted trouser cutters in the city, this would be rather minor an issue. I can, at least, count on finding alterations tailors for my shirts, since I've dropped some weight and don't believe in the aesthetic benefits of draping a tent around my upper body
The subdued approach as seen above, however, I'm more than comfortable with
Soon, Paraders, I aim to show off more of my print shirts; the most stylish garment category for the sweaty days of hot living
In the meantime, all are free to suggest wardrobe remedies. I'm sure the PR agents that alert me via e-mail to their clients' collections must have a few ideas on summer elegance
Tuesday, 22 June 2010
Sebastian Horsley and The Genuine Death of a Real Fake
Sebastian Horsley lived and died as a Real Fake, but one should never underestimate the sincerity of a man who so gleefully flaunted his artifice in the faces of others. Indeed, when the news broke last Friday, I thought it an obvious joke on his part – “Live fast, die youngish, leave the corpse of a popinjay behind" – believing that he was far more likely to die of the STDs he’d doubtlessly been amassing over the years, perhaps cataloguing them under the names of the whores that gave them to him
Of course, he did claim that the whores were cleaner than women of the non-streetwalking demographic
We had two run-ins
The second was more interesting in that I was out carousing that evening, surrounded by exquisitely crafted artwork and speaking with a few interesting people. He came to view his portrait, painted by our mutual friend Ian Bruce. Evidently feeling less than garrulous, he mentioned his pleasure with his visage and left within the opening hour, presumably to retake his place as a pink suited London boho in a Soho watering hole. I was looking for trouble that night; I should have taken his number
The first was never catalogued because neither Style Time nor Mode Parade existed in those days, and because frankly, it’s a non-story. In early 2008, I visited Dover Street Market and found him, not totally unexpectedly, by the mirrored lift exterior on the ground floor
Something in his eyes suggested recognition; of my face or my own penchant for reconfigured gentleman’s dress, I couldn’t say. I was wearing a black Cossack-styled coat over a plaid shirt with a club collar, a French blue silk tie, a black waistcoat with a knit back and sides, and black trousers whilst also wielding an umbrella; perhaps I resembled a personification of Death in Harlem of the 1970s or one of his junk trips
I recognised him; that was enough to exchange “Hellos” and nods. And then he walked before I could ask if he was claiming freebies from the store; the Comme des Garçons Homme Plus collection he’d partially inspired and modelled in Paris a year prior was winding down its sale that week. But maybe he’d have not appreciated it. And yet on that day, he was wearing that same signature outfit, despite lacking the lookalikes:
Following his performance on the catwalk, Sebastian afterwards wrote that he was fresh from a diagnosis of syphilis. Given the sexual cachet of male models, he was probably in large company. Such a man would certainly have been pleased with such likeminds
Although I’m presently over 2000 miles away and will definitely miss it, the one man play of Horsley’s autobiography, Dandy in the Underworld, has taken the stage in London and should be seen for the curiosity, if nothing else. I understand it’s fairly naughty. But it will certainly be performed by Milo Twomey with more sincerity now than there was before
Labels:
art,
article,
Comme des Garçons,
current affairs,
horsley,
sebastian
Monday, 14 June 2010
Vivacity
Actor W Clifford Klenk with his wife, Hope Bacon Ryan, in their Hog Island house, May 1968, as taken by Slim Aarons
That traffic light approach to summer menswear that I once mentioned? This man is its avatar
Aarons and his lens would take at least one more capture of Klenk in 1992:
At some stage, Klenk acquired a baronetcy and continues to be a fixture of the Life that is High:
His earlier ensembles, to me, speak of WASP style for the true character
And nothing kills complacency like characters can
Labels:
1960s,
colour theory,
menswear,
photo,
slim aarons,
Style
Friday, 11 June 2010
Cornelius (コーネリアス) - 'Ball In-Kick Off' (1998, Live)
And it's a fair haired, slight balding Charlton to Kick Off, Ball In - Kick Off
In recognition of what day it is, Let The Games Begin
Five years ago, my ILM friends and I once cultivated our own themed compilations. I forget the reasons for it, but we sought to acquaint each other with the sound recordings that, to us, aligned with the premise of each collection
Geeks make the best musical archivists, after all
Geeks make the best musical archivists, after all
The title of the collection that I submitted this for might be obvious. You've perhaps seen the way that I dress - what other subject could I have a particular musical view on than Maximalism?
My review drips with dork cachet, but then I was almost satirically effusive in my writing during those days, usually because my fellows were genuinely so in theirs
Of course, this artist is one of my inspirations. With him, my effervescence tends to be warranted
Labels:
broken ipod blues,
Cornelius,
current affairs,
Japan,
music,
review
Wednesday, 9 June 2010
Ossie-fied
Also fabulous, dead and born on this day (68 years ago, to be precise) was Raymond 'Ossie' Clark, a King of the Swingers and of the King's Road in the 1960s and 1970s. And whilst he was off swinging every which way he could, he also took time to clothe the beau monde and become one of the Great Remembered of the late 20th century
Reputedly able to cut a perfectly fitting dress for a woman by running his hands over her body, Clark was charismatic, multitalented and driven, although like a number of creators in this life, his talent did not come without its drawbacks
One of them even evolved out of his desire for self-betterment: in a Larkin-like twist, the stimulants given to him by his mother when he needed the presence of mind for early commutes to design school eventually lead to his drug habit
Naturally, Clark's work for the retail operation Quorum and Ossie Clark for Radley - the house that purchased Quorum, bailing it out as it did so - has been venerated by nostalgists, collectors, editors, stylists and students. With the highly enticing printwork and intelligently devised textiles by his then-wife, Celia Birtwell, and his nous for cutting, patterns and design, melded with a taste for chiffon, gauze, moss crepe fabric and snakeskin, it couldn't help but be loveable
Patrons included Twiggy, Ali MacGraw, Faye Dunaway, Elizabeth Taylor, Sharon Tate, Liza Minnelli and Marianne Faithful. The Beatles were also recipients of his imagination, and he launched a menswear line in 1968. Mick Jagger, legendary for his parading and preening, also became a client
Idle talk has it that Clark did more than a little parading of his own with David Hockney, whom he had known since college. It is certainly accepted that Hockney's 1970 portrait of his hardcore bisexual friend and Birtwell, 'Mr and Mrs Clark with Percy,' is one of Britain's most visited artworks
Following a career and personal decline, a tentative renaissance ended with Clark's 57 stab wounds and a broken skull from a teracotta pot in his Holland Park flat; the fatality was carried out by his drugged out former lover, Diego Cogolato, who received a manslaughter conviction and six years' incarceration
Fashion designer André Courrèges may have bemoaned that as a result of Clark's popularity, “Haute couture is as good as dead. The streets of Paris are beginning to look like Portobello Road,” but few designers of that time could turn their moment into nearly a decade of pure form and remain memorable and referenced for further decades to come
Some still struggle with it today
Labels:
1960s,
1970s,
article,
fashion,
icons,
ossie clark,
womenswear
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