Showing posts with label Junya Watanabe. Show all posts
Showing posts with label Junya Watanabe. Show all posts

Friday 19 November 2010

Wan Chai/At the Races


   I schlepped to the Hong Kong Expo at Wan Chai on a Wednesday, which was perhaps too deeply commercial to be of any worth to tourists. The guest speakers, there to expound on matters of Asian investment and infrastructure, would probably have been interesting for those concerned with the scale of such things

   That night, I joined the weekly pilgrimage to the racetrack at Happy Valley. I'm not much of a gambling man in this sense (primarily because I bring others greater fortune than I do myself), but food, beverages and camaraderie are in abundance, and horse riding is better viewed live. The photographs do not clearly connote the scale of the track, but I think they still capture some of its expansiveness

   Besides, it is certainly a setting in which wearing Junya Watanabe Man S/S07 can be considered fitting

Friday 27 August 2010

Go Faster


As it was unwritten in Ecclesiastes 1:9, "There is nothing new under the Ghanaian sun"

Tuesday 6 July 2010

The Covetous Post

   I'm feeling yearnful:

Lily

Holga D Digital Camera

Gaziano & Girling bespoke stingray wholecuts, made for a Forvm member


Junya Watanabe S/S10 Blouson (for my Dressed Down Days)

Taschen's Favourite Hotels

Ettinger Bridle Hide Billfold, via Unabashedly Prep


A boat cloak, opera cloak or Inverness cape

 The most aureate car I've ever ridden in: the Mercedes Benz 600 Grosser

B

Thursday 27 May 2010

Peregrination, Or, By the Time I Get to Everywhere

   Peripatetics of the World Unite! Let's get on the Open Road

Globe Trotter photograph courtesy of AJ at The Forvm

   Men will always talk of escape but today, they omit to be escapist in practice. And yet we still nurture an ideal of a common language of travel: the donning of a mode that combined perambulatory-centric practicality with pure and polite gentility

   With no obviously rational reason in the world but for staunch refinement, my father yesterday left the 30 degrees+ environs of Accra on a flight to The World, clad in a double breasted, gilt buttoned blazer, a striped shirt, dark slacks and comfortable loafers and was easily the most dégagé and elegant human on board. And his self-possession remained steadfast in the face of a many hours-long check-in disarray, with its concomitant, envious griping of a ruffled economy class uncomprehending of, and unused to preferential dealings with this - or any other - airline, and a further confluence of errors that saw his arrival time gain an extra eight hours

   But travel has always had the capacity for metaphorical, as well as actual rectal distress; when arrangements disintegrate, it's a challenge to avoid bending, let alone breaking

   Good dress places some of the pleasure directly in the traveler's hands. Most Britishers' - amongst others - idea of comfortable journeywear is my idea of pyjamas, and if I'm to fall asleep on long haul transport, I'd rather not present as if I'd planned to do so since the night before embarkation

   In these post-jet set days, we have much to contend with where aesthetically unpleasant visuals are concerned - trashy "ass logo'd" casuals that overemphasise the "bottom" in "tracksuit;" nauseatingly displayed spray tans masquerading as the results of natural solar communing and jiggly flesh whose owners seem to wear it as proudly as one would a military medal or an attractive girlfriend. And that's only the staff

   It is its own reward to be a man for all locations; think of the leeway offered for mercuriality or for unexpected juxtapositions and the odd defining statement

Leavened with globetrotting aplomb, we have: Coward Leaving a Plane! Coward in Havana! Coward in Las Vegas!

 
 


'Sentimental Journey,' the 2009 Spring/Summer offering by Junya Watanabe Man, grounded the romantically chimerical notions of colonials and jet-setters past in the preoccupations of today's cropped clothes-donning, judiciously economising male, albeit of the kind suited to its pricing. Centered amidst the designs that spanned the gentlemen and farmhands of the 20th century, the enticing Tricker's collaborations and the ornamental, illustrative use of Globe Trotter cases was the collection's pivot: reversible jackets that sensibly doubled one's investment. Indeed, the craft was more revelatory in person; these doubled garments suffered no surfeit of bulk from inside-out transformation and the disparate fusions readily elicit protean usage and ensemble

And where Watanabe favoured the Western World Wise Vagabond, Kean Etro dreamed of Bottled Bohemia and Marrakesh:

An itinerant urge also emerged amongst Ralph Lauren's looks for the season in 2007; this was cultivated according to that Old World milieu that remains the stuff of bathtime fantasy for RL and his ardent adherents:
I'm uncertain as to how the sandals found themselves here

As for Bottega Veneta, leisurewear is functionally its Printemps-Été raison d'etre:

And to conclude; for boarding a plane, train or automobile, one could do worse than wear Hermés:

   Let's get out!

Runway photography: GQ

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